Search results for "late medieval"
showing 5 items of 5 documents
Joan Roís de Corella, la seua vida i el seu entorn: noves dades per a la història de la cultura en la València del segle xv
2014
This article offers a full updating of the biographical records of the writer Joan Roís de Corella (1435-1497) and his family: his great-grandparents, grandparents, parents, siblings and children. All data are presented in a systematic way, generation by generation, and a new vision of the writer himself is offered. In its documentary section, 432 documents are transcribed or summarised, dating from 1373 to 1516. A broad range of new archival data is presented; other previously known data are corrected or improved. Some examples: Joan Roís de Corella had four children: Magdalena (born 1459), Maria, Joan and Estefania, the latter two by Isabel Martínez de Vera. Joan Roís de Corella was widel…
THE OLIGARCH AND THE PAINTBRUSHES: A BIOGRAPHICAL SKETCH OF ANDREU GARCIA, PRIEST = EL OLIGARCA Y LOS PINCELES: BREVE SEMBLANZA DEL PRESBÍTERO ANDREU…
2014
The documents regarding the Valencian priest Andreu Garcia († November 1452) show a quite interesting character. Garcia’s family belonged to local oligarchy. Moreover, he had a substantial income related with the Cathedral. He had contact, too, with Carthusians, Observant Friars and probably with Beghards (the books of his library suggest this last idea). Garcia took part, as an intermediary or as a sponsor, in many artistic orders that involved the best workers and the best customers of the city. Besides, he had a strong relationship with painters like Simó Llobregat, Jaume Mateu, Gonçal Sarrià and Joan Reixac. The priest could also have practiced painting, judging by the belongings that w…
Il monastero di Santa Maria delle Giummare di Sciacca tra XIV e XV secolo
2018
Il saggio si propone di ricostruire la storia tardomedievale del monastero di Santa Maria delle Giummare di Sciacca chiarendo la questione del carattere duplice del cenobio, fondato come priorato cluniacense ad opera di Giuditta, sorella di Ruggero II. L’analisi delle pergamene del tabulario di Santa Maria delle Giummare, unitamente allo studio dei fondi dell’Archivio di Palermo e dei registri notarili della sezione dell’Archivio di Sciacca, ha permesso di indagare la storia femminile del monastero benedettino e i rapporti con le Valverdensi di Caltabellotta che popolarono il cenobio a partire dal 1401 per volontà di Bonifacio IX. The essay aims to reconstruct the history of Santa Maria del…
Women and Demons in the Late Medieval Wall Paintings in the Church of Espoo (Finland)
2017
The late-medieval stone church of Espoo (county of Uusimaa), situated on the south coast close to the current-day capital of Finland, Helsinki, displays a wealth of medieval wall paintings executed around the 1510s by a group of painters that has remained anonymous. In the fourth vault of the north aisle a demon has been depicted as the proxy and associate of women who are seen in typical household tasks of milking and churning. On the west wall above the entrance a depiction shows a demon passing a pair of shoes to a woman, and above, three demons are seen twiddling with a parchment. This article analyses the images and places them in the context of social control that aimed at regulating …
L’estètica emocional de la transformació: una revisitació barroca de la Faula d’Apol·lo i Dafne
2021
The well-known Sonnet XIII by Garcilaso de la Vega «A Dafne ya los brazos le crecían» was to establish the disconsolate figure of Apollo, pining for the loss of Daphne, as the literary paradigm of the pangs of love —at least in Renaissance literature in the Iberian peninsula. Thus, a century later, Francesc Fontanella revisited the Garcilaso sonnet and carried out a profoundly Baroque re-reading. The Catalan text ‘transforms’ the symmetry and order in which the Spanish sonnet describes the metamorphosis of the nymph into an inseparable amalgam between the old way of being and the new reality, between the human and the plant, and freezes the figure in mutation: neither the original form nor …